User blogs

KEEP THE BLUES ALIVE

Q&A with Arkansas-based talented blues musician Billy Jones, one of the very best authentic modern artists

 

Q&A with Arkansas-based talented blues musician Billy Jones, one of the very best authentic modern artists

• Posted by Michael Limnios Blues Network 

"There certainly is an audience for blues music in today's world because the blues is timeless...it's eternal...and there is the potential for even greater audience growth as we explore the ever-expanding musical variations of the art form...it's the main ingredient."

Billy Jones: The Delta Bluez Outlaw

Billy Jones’ voice and guitar work shine like a dazzling star! Billy's voice will enchant you, his songs are oozing with sexuality, downright funky, and always compelling with a show-stopping style. One of the very Best Authentic Modern Blues artists in recent memory. Billy Jones Bluez born into the segregation of the 1950's south, he was exposed to the driving beat of the Blues when he was still an infant. In the crib, he could hear it as it permeated the walls against which he slept. This sound which spoke to him gave him an early direction in life which he has pursued to this day. Exquisite Modern and Traditional Blues and Neo-Soul by one of the most talented artists on the contemporary scene. Billy Jones & Delta Blues Outlaws have been a crowd favorite and one of the most requested variety show bands on the Mid-South casino, nightclub, and party circuit for many years. With a repertoire that encompasses a wide range of musical styles, from pop to country to soul to today's biggest hits, the Delta Blues Outlaws are guaranteed to please any audience.

(Photo: Billy Jones, one of the most talented artists on the contemporary scene)

Arguably one of the very Best Authentic Modern Blues and Soul albums in recent memory. His early memories are of a juke joint from where he would draw inspiration; the images, and the folks he knew then are the stuff of his song. Outstanding stage presence, world class vocals, and awesome musicianship, Billy Jones & Delta Blues Outlaws have performed their show-stopping, high-energy style for audiences in Europe and USA. From the juke joints of the Delta to the Blues Festivals — and many, many, many shows in between — this band has proven repeatedly that it's the real deal! Billy & the Outlaws brings experience, showmanship, and passion to every performance is a guaranteed great time.

 

Interview by Michael Limnios

How has the Blues music influenced your views of the world? What does the blues mean to you?

My family owned and operated a juke-joint and rooming house in the mid-south delta of Arkansas, and I was born into and grew up in the lifestyle. As a child, I would stand in front of the jukebox and dream. I'd pretend that every guitar player on each record was me. I am an authentic American delta bluesman. My entire world view has been influenced by blues music. I am a product of the culture. The blues has been both my recreation and my occupation for as long as I can remember.

How do you describe your sound and songbook? What's the balance in music between technique and soul?

My "sound" is a mixture of the old and the new and the accidental.  ..and it is still developing as I learn and adapt to new styles and information that I learn or that I improvise or stumble upon as time goes by. In the beginning, I was taught and mentored by blues legends like Little Johnny Taylor ('Part Time Love', 'Open House at My House' ect.), Calvin Leavy ('Cummins Prison Farm'), Larry Totsie Davis ('As The Years Go Passing By' and 'Texas Flood' ...that was later re-recorded and made famous by Stevie Ray Vaughn), Rev. James T. Phillips (..who was lead singer and guitarist for the gospel group the Zion Five), Red Harpo, Willie Cobb and many great blues and gospel artists and musicians that never achieved national fame, but were all great entertainers and innovators.

My first influence was traditional blues. But as time went by, I fell in love with the music of Jackie Wilson, Sam Cooke, Percy Mayfield, BB King and the masters of soul, funk and R&B like James Brown, George Clinton, Prince and Jimi Hendrix. There is no balance between technique and soul with me... it's all soul and guesswork... I can't read music.

"I am an authentic American delta bluesman. My entire world view has been influenced by blues music. I am a product of the culture. The blues has been both my recreation and my occupation for as long as I can remember." (Billy Jones, Arkansas 2021 / Photo by Deke V. Rivers)

What moment changed your music life the most? What´s been the highlights in your life and career so far?

The moment that received a phone call from Jan Mittendorp at Black & Tan Records to come perform on blues festivals in Europe. From juke-joints to European blues festivals Now that's a life changing moment! Paris, Germany, Romania, Italy, Austria, Amsterdam, Belgium ...too many places & shows to mention here. One of my favorite shows was when I represented Black & Tan Records on the Blues Passions Festival at the Hennessy Castle Fairgrounds in Cognac, France. We performed on the main stage for 15,000 fans! No matter whatever happens in the future I will always be loyal to Black & Tan Records. ..forever grateful. They believed in me and opened a door that elevated my life to a whole new level when no one else would.

Are there any memories from gigs, jams, open acts and studio sessions which you’d like to share with us?

I had fun...performed LIVE! ...in a Juke-Joint, somewhere along the Blues Highway!

What do you miss most nowadays from the blues of the past? What are your hopes and fears for the future of?

What I miss most about the old guys is the authenticity and the originality. ..every artist had his own style. Today many of the new artists seem to focus on sounding "like" Muddy or "like" Hendrix ect. and so, a lot of the newer music sounds formularized and predictable. I want to variate from the formula. It's my hope to take elements of traditional blues and infuse it into elements of contemporary music like funk, jazz, and soul and hip-hop to create a style of music that will appeal to both the traditional listener and attract the younger contemporary audience. For example, in our live shows my band performs a song where I sing Tyrone Davis' soul song 'In The Mood' and blend in lyrics from the hip-hop song 'Smile' by TuPac & Scarface and then, lay a funky blues rock guitar solo on top of that monolog between the verses. I sound crazy don't I?  ...well, the audiences that we play for really like what we are doing...they call it 'gangsta blues' and we have been holding down a main stage residency at Harlow's Casino in Greenville, MS for over 15 years playing it that way! As far as fears for the future... I can't see any...I believe this new style bring old and new together.

"The blues will always be here...transmogrifying and mutating and morphing into new and different forms. And yet at the same time it remains the same...just below the surface of any song you will find the blues." (Photo: Billy Jones and the Delta Blues Outlaws)

What are some of the most important lessons you have learned from your experience in the music paths?

True greats are not those born with golden spoons in their mouths… but those who through hard work turn their own wooden spoon into gold.

Why is it important to we preserve and spread the blues? What is the role of Blues in today’s society?

The blues will always be here...transmogrifying and mutating and morphing into new and different forms. And yet at the same time it remains the same...just below the surface of any song you will find the blues.

Do you think there is an audience for blues music in its current state? or at least a potential for young people to become future audiences and fans?

There certainly is an audience for blues music in today's world because the blues is timeless...it's eternal...and there is the potential for even greater audience growth as we explore the ever-expanding musical variations of the art form...it's the main ingredient. Traditional blues is only the beginning...funk, rock, jazz, pop, soul, grunge, hip-hop or even country music are all simply offshoots and incarnations of the blues...they are all built on the foundation and framework of the blues...the one four five...sometimes just the one. The key is to educate the young audience on how to recognize and understand that these styles are based on and derived from the blues...and to educate  the "traditional" audience to except and appreciate that the newer songs are based on and evolved from the blues.

 

Billy Jones and the Delta Blues Outlaws - Home

 

 

   

https://bluesrockreview.com/2023/02/delta-blues-outlaws-release-shade-tree-mechanic-lyric-video.html News  Delta Blues Outlaws release “Shade Tree Mechanic” lyric video  February 18, 2023  BRR Staff  0 Comments Delta Blues Outlaws North Little Rock based blues rock band Delta Blues Outlaws have released a lyric video for their take on “Shade Tree Mechanic,” which is now available for download. Delta Blues Outlaws currently have a residency at Harlow’s Casino in Greenville, Mississippi where they’ve been performing for over 10 years. The band also plays the Mid-South casino circuit in Tunica, Natchez, Lula and various juke-joints along the blues highway.

Delta Blues Outlaws are currently available for bookings.

Booking Info:

501-744-8200 billyjonesbluez@aol.com america's MOST WANTED blues band! https://bluesrockreview.com/2023/02/delta-blues-outlaws-release-shade-tree-mechanic-lyric-video.html    

..genuine road-hardened delta blues outlaws. ..southern soul meets blues funk: 

...BIOGRAPHY
...the times and travels of an american blues band.

 

Funky Blues & Southern Soul - volume 1

https://store.cdbaby.com/cd/thebillyjonesband  

 

"Billy Jones brings back the Thrill. No one who I can think of has taken a truly contemporary look at traditional blues with the musical and lyrical intensity of Billy Jones. A refreshing blast of the really great sound of Healing Blues, Jazz, Funk Music. Loaded with Rich Blues Tradition. B.B. King, Muddy Waters, Even Johnny Winter Flavors. I'd recommend 'Funky Blues & Southern Soul - volume 1' to any avid blues listener and I look forward to hearing more from the reclusive Billy Jones. This guy is the real deal and this is a great CD!"  

 

...here is a biographical interview of Billy Jones that was written by Dave Harrison.

..chief blues writer for BluzNdaBlood Magazine:  https://www.bluzndablood.com

 

       

 

Dave Harrison: Born into the segregated south, he was exposed to the driving beat of the Blues when he was still an infant. In the crib, he could hear it as it permeated the walls against which he slept. This sound which spoke to him gave him an early direction in life which he has pursued to this day.
  His early memories are of a juke joint from where he would draw inspiration; the images, and the folks he knew then are the stuff of his song. They gave him a mind-set that would drive him to perfect his craft as a guitar slinging blues man. Billy Jones is betting that the Blues can experience a revival of interest. What is needed is a fresh infusion of imagination. And to capture a bigger share of the Black music market, what is needed is for the Blues to once again become relevant to the African American experience.  

We spoke with him upon the release of his latest CD : Funky Blues & Southern Soul - volume 1

https://www.youtube.com/playlist?list=PLS8oJyaE_hbo1hqHR0ADKq9ebhLTQ4Ytb  

 

Billy:"I was raised from the age of six months in my grandfather's cafe and boarding house, The Cedar Street Cafe - 903 Cedar Street - North Little Rock, Arkansas. The room that we lived in was directly behind the wall of the main ballroom where the juke box was. My crib was on the other side of that wall, so as a baby I would be laying there listening to Elmore James, Big Joe Turner, Jackie Wilson, B. B. King, Muddy Waters, Sam Cooke and all the blues and soul greats while the cafe customers played records and partied well into the night. My bed would vibrate on the bass notes. That was my first exposure to the music. I absorbed the music as I could literally hear it in my sleep. One of the first thoughts that I remember having was that I wanted to be like B.B. King and Elmore James."  

 

"There was this dangerous juke-joint/nightclub place down the road from my grandfather's cafe called Jim Lindsey's Place. Many of the big "chittlin' circuit" stars of the day used to perform there like Howlin' Wolf, Sonny Boy Williamson and Bobby Blue Bland. Sometimes at night when everyone else was asleep, I would sneak out of the room and climb up high in an old chinaberry tree and watch what was going on over at Jim Lindsey's Place. I could hear the band from there and pretend that it was me onstage."  

 

"All the pimps, players, dealers, hoe's and gangsters used to hang out there and someone was always getting shot or stabbed on a regular basis. Remember that this was the segregated south, so whenever someone would call for an ambulance for a shooting, or fight, at the club, they would send a hearse from the black owned funeral home instead of an ambulance. If the victim was still alive they would take them to a black doctor. ...If not, they would take them to the funeral home."  

 

"Of course I thought that these were the "beautiful people" and I wanted to be just like them when I grew up. Especially the musicians, with their tight-legged, sharkskin suits and Stacy Adams shoes, their jewelry and the way they wore their hair in a process. And the women! ...the way they used to dress back then was so glamorous! And of course Bobby Blue Bland's Cadillac. ...No medical school for me dad... I'm gonna be a blues star."  

 

"The house band for Jim Lindsey's Place lived in an upstairs room over the club, and during the day I would go over there and try to hang out around them. They could tell that I really wanted to be a guitar player."  

 

"There was this one musician who played at the club named Red Harpo... he told me that he was Slim Harpo's brother. I believed him. Whether he was or not, one thing is true, Red could play the hell out of a guitar! ... There was an air of excitement about him. Women would fight over him. He would let me come up to his room sometimes and talk to him while he would sip "Golden Rod" wine on ice and play and sing for me and show me how to play the new hit songs of the day, while I soaked-in all the information that he was giving me about being a real musician."  

 

"By the time I was fourteen years old, I was hanging out at 'Williams Pool Hall.' One day this older guy pulled up in a 1957 Chevy station wagon packed full of amplifiers, microphones and drums He came in. He had that same air of excitement about him that Red had. He said that he was in a band and he had a gig booked in Lonoke, Arkansas that night and that he heard me play guitar and they were looking for a guitar player. He said that his name was Hosea Leavy and that he and his younger brother Calvin Leavy would pay me $6.00 if I played with them and Willie Cobb, Little Johnny Taylor and Larry "Totsie" Davis that night. I didn't tell him that I had never played in a band before. I was fourteen years old and I was going on the road! I was trying to be cool and I agreed to go with him. But I was so excited to be going to play with a real band!"  

 

"That was the first day that I went on the road with the Leavy Brothers Band, and the beginning of a lifetime journey into the world of the blues .

I've been on the road ever since. So it was 'on the job training' for me."  

 

Dave Harrison:Now, how old were you when you first picked up the guitar? How did you become this accomplished musician that you are today?  

 

Billy:"It's hard for me to remember when I didn't have a guitar... it's just something that I've always wanted to do."

"Because I loved guitars so much, around age four, or five years old, my uncle Vernon had given me a little plastic toy guitar with a music-box handle that played 'Pop Goes the Weasel' when you turned it. It was instant love. I used to stand in front of the juke box with that little guitar and pretend that I was every artist whose record was playing. I was always running around holding that guitar. I don't think I ever put it down."  

 

"I think I really started getting serious about it during the summer between the 5th and 6th grade. I didn't play with the other children in my neighborhood that much. I hung around adult musicians and spent most of my time learning songs from records and trying to sound like the guys on the recordings. Sometimes I would hang out with the winos and perform for them. Some of my family thought I was weird. But music is both my occupation and my recreation. And I spent almost every waking moment playing it and studying and imitating the artists that I idolized. ...I guess that I was kinda weird."  

 

Dave Harrison: How did you start to playing gigs traveling from military installation to installation entertaining military members and their dependents? Were you in fact in the military at the time?  

 

Billy:"No. I was not in the military. I've always regretted that I didn't join the Air Force. I think that I would have liked it. This was during my twenties, after I had started my own band and was playing a lot of Rick James, Cameo, Funkadelic, Stanley Clarke, Hendrix, Bar-Kays, Commodores, Gap, Zapp, and that kinda thing. At that time I was being booked by this big-shot "Clive Davis" type guy named Gene Williams, who was really hooked-up with the Grand Ol' Opry and the Nashville scene and was managing Ferlin Husky, Claude King and Donna Douglas, who played the part of Elly Mae on the television show The Beverly Hillbillies."  

 

"Since he couldn't book a black band in the Country Music Capitol of the World, he started booking me into NCO and Officer's clubs on Naval Stations, Air Force Bases, Army Posts and military installations all over the United States. I lived the military lifestyle without actually being in the military. GI women are great!"  

 

"I learned a lot and made a lot of friends... to this day I have the highest respect for military personnel. They are great people. They work hard and they play hard... and they love hard."  

 

Dave Harrison: Where did this traveling take you?  

 

Billy: "To over 42 states... countless times.  ...and to Europe sometimes  ...and to many clubs and shows that were booked off-base when we were in whatever city. I did that for ten years. I loved it!"  

 

Dave Harrison: How did you come to refer to your music as "Bluez"? Is this to differentiate your music from the music created by the record industry?  

 

Billy:"Yes, it is...I have studied many types of music, including jazz, country, rock, funk, R&B, punk, new wave or whatever, and I wanted to incorporate some of the elements from all of these styles into my original music."  

 

Dave Harrison: How long have you worked to infuse an urban element into your music? How has it been received by your audience?  

 

Billy: "I never intentionally set out to "urbanize" my music. I just wanted to learn everything that I could about my craft and how to please the audience that was in front of me that day. It was just natural evolution. The reception has been overwhelmingly positive from the general public."  

 

Dave Harrison:Presently a number of Black artists are working to merge Blues music with Hip-hop. This would include artists such as Billy Branch, Russ Greene, Chris Thomas-King, among others. In fact, R L Burnside even did his take on this cross-infusion of the Blues, which was met with mixed reviews. Do you see your music going in this direction?  

 

Billy:"What these artists understand... and the reviewers and "experts" probably don't, is this: Hip-Hop has evolved from blues and is very much a part of it.... Hip-Hop is the blues of today. If you analyze the greatest hip-hop songs of all time, like "The Message" by Grand Master Flash and The Furious Five, or "How Do You Want It?" by Tu Pac Shakur ...(which is based on the bass hook from "Body Heat" by Quincy Jones), ...it's easy to hear that these songs are pure blues with African/Jamaican bass lines and drum beats. Of course, the stories that these songs tell are undeniable blues themes that reach deep into the heart of the African American experience. I love a little gangsta in my blues every now and then."  

 

Dave Harrison:Do you agree with the assertion that the white artist has been more closely bound by tradition, whereas the Black artist has always been more progressive in their approach to the music, looking for the "next big thing"? This, perhaps, can be seen more in Jazz than in Blues. Are these attempts at cross-infusion done more for the music, or is it being done for the rewards that the urban artist seems to be enjoying, the "bling"?  

 

Billy: "Definitely for the music. I don't think that it has very much to do with the "bling".... little if anything....Of course any artist wants to be well compensated for their work... I certainly do."  

 

"But the battle between the blues purist and the blues artist has gone on long before now. The artist wants to be artistic and create and innovate.... the purist doesn't want anything to change. No new instruments, no synthesizers, no drum machines, no new nothing. If Muddy didn't do it... it's wrong."  

 

"But when Bob Dylan and Muddy Waters switched from acoustic to electric guitar the purists said that they were ruining the art-form. Look at all the great classics that were created because they ignored the so called experts."  

 

"What the artist is trying to do is stretch the boundaries of the music and infuse elements that will appeal to a contemporary audience and to bring something new and relevant to the table."  

 

"However, if these 'experts' want to tell the artist what the song should sound like before it is written, there probably won't be much "bling" forthcoming. They won't sell many to people who buy cd's today. If an artist can reach the public and they love the music, then the bling will be just a pleasant side-effect."  

 

"In order to compete effectively in the music business you have to stay on top of current events. That means that you have to have an understanding of contemporary musical styles and trends."  

 

"I remember reading in a biography of Elvis that no matter where he was he was always listening to the radio in order to monitor musical trends and to hear what his competitors were doing. And he was Elvis!"  

 

"Music is about constantly learning. ...and I want my music to appeal to a mass audience."  

 

Dave Harrison:Is this image (the rewards) a creation of the "corporate entertainment business"?  

 

Billy: "No, it is not... it's a creation of the hip-hop industry and the age of music video. It is an expression of what the young audiences wants to see. What they want to be."  

 

Dave Harrison:Do you feel that the urbanization of Blues music is an effective way of reaching a younger market? To what market are you ultimately hoping to appeal?  

 

Billy: "Definitely... it's the only way to reach the younger market." "I want my music to appeal to everyone. That's what seems to be happening. The stories that I tell on this cd are true and universal. People across all genres are embracing the music."  

 

Dave Harrison: In light of prevailing social and economic conditions that exist today, do you still feel that music can be a vehicle of change?  

 

Billy:"I know that music can be a vehicle for change. Music is a gift from the creator who wrote the song of life. If you do it right it gets you on a level that is primal. And the right story can change the world."  

 

 

  .
              

...these are some of my favorite quotes:  

 

"Our greatest fear is not that we are inadequate, but that we are powerful beyond measure."

"We are the masters of our own destiny. We are the makers of our own fate."

"Without Courage ...we cannot practice any other virtue consistently."

“Know thy self and you will know the secrets of the universe.”  

 

"True Greats... Are Not Those Born With Golden Spoons In Their Mouths

But Those... Who Through Hard Work Turn Their Own Wooden Spoons Into Gold."

 

Funky Blues & Southern Soul - volume 1 ..is now FOR SALE at

https://store.cdbaby.com/cd/thebillyjonesband

...we love ya'll. ...go buy one!!          

 

YouTube: Check-Out our Youtube Channel:

https://www.youtube.com/billyjonesbluez/videos  

 

ReverbNation: http://www.reverbnation.com/billyjonesbluez/songs    

 

Facebook: https://www.facebook.com/billy.j.bluez  

 

billyjonesbluez@aol.com        

 

 

...biographical fact: Billy Jones spent his teen and young adult years touring with, playing back-up guitar and being mentored by Calvin Leavy, Little Johnny Taylor and Larry 'Totsie' Davis. ...these are the original versions by the original masters that were written and recorded long before the cultural raiders and imitators came along.

All three of these great artists died penniless and unrecognized. ...and their life's works stolen to make fortunes for others.
Now ain't that the Blues? ...it is an honor to have been a musical soldier in their bands.

https://www.youtube.com/watch?v=qZDuDqtPLhE Cummins Prison Farm Calvin Leavy     https://www.youtube.com/watch?v=nDjHWuqz0iQ Little Johnny Taylor Part Time Love      Texas Flood / Larry Davis 1958 original   .