Ellas Otha Bates ''Bo Diddley''

Ellas Otha Bates (December 30, 1928 – June 2, 2008), known by his stage name Bo Diddley, was an American rhythm

and blues vocalist, guitarist, songwriter (usually as Elias McDaniel), and inventor. He was also known as "The

Originator" because of his key role in the transition from the blues to rock & roll, influencing a host of acts including

Buddy Holly, Jimi Hendrix, The Rolling Stones, The Velvet Underground, The Clash, The Yardbirds, and Eric Clapton.

He introduced more insistent, driving rhythms and a hard-edged guitar sound on a wide-ranging catalog of songs.

Accordingly, he was inducted into the Rock and Roll Hall of Fame and received Lifetime Achievement Awards from the

Rhythm and Blues Foundation and a Grammy Award from the National Academy of Recording Arts and Sciences.

He was known in particular for his technical innovations, including his trademark rectangular guitar.Born in McComb,

Mississippi, as Ellas Otha Bates,[4] he was adopted and raised by his mother's cousin, Gussie McDaniel, whose

surname he assumed, becoming Ellas McDaniel. In 1934, the McDaniel family moved to the largely black South Side

area of Chicago, where the young man dropped the name Otha and became known as Ellas McDaniel, until his musical

ambitions demanded that he take on a more catchy identity. In Chicago, he was an active member of his local

Ebenezer Baptist Church, where he studied the trombone and the violin, becoming proficient enough on the latter for

the musical director to invite him to join the orchestra, with which he performed until the age of 18. He was more

impressed, however, by the pulsating, rhythmic music he heard at a local Pentecostal Church, as well as an interest in

the guitar.

Inspired by a concert where he saw John Lee Hooker perform, he supplemented his work as a carpenter and mechanic with a developing career

playing on street corners with friends, including Jerome Green (c. 1934–1973),[8] in a band called The Hipsters (later The Langley Avenue Jive

Cats). During the summer of 1943–44, he played for tips at the Maxwell Street market in a band with Earl Hooker. By 1951 he was playing on

the street with backing from Roosevelt Jackson (on washtub bass) and Jody Williams (whom he had taught to play the guitar). Williams

later played lead guitar on "Who Do You Love?" (1956). In 1951 he landed a regular spot at the 708 Club on Chicago's South Side, with a

repertoire influenced by Louis Jordan, John Lee Hooker, and Muddy Waters.

In late 1954, he teamed up with harmonica player Billy Boy Arnold, drummer Clifton James, and bass player Roosevelt Jackson, and recorded

demos of "I'm A Man" and "Bo Diddley". They re-recorded the songs at Chess Studios with a backing ensemble comprising Otis Spann (piano),

Lester Davenport (harmonica), Frank Kirkland (drums), and Jerome Green (maracas). The record was released in March 1955, and the A-side, "Bo

Diddley", became a #1 R&B hit.

McDaniel adopted the stage name "Bo Diddley". The origin of the name is somewhat unclear, as several differing stories and claims exist. Diddley

claims that his peers gave him the nickname, which he first suspected to be an insult. Bo Diddley himself said that the name first belonged to a

singer his adoptive mother was familiar with, while harmonicist Billy Boy Arnold once said in an interview that it was originally the name of a local

comedian that Leonard Chess borrowed for the song title and artist name for Bo Diddley's first single. A "diddley bow" is a typically homemade

American string instrument of African origin, probably developed from instruments found on the coast of west Africa.On November 20, 1955, he

appeared on The Ed Sullivan Show, a popular television variety show, where he infuriated the host. "I did two songs and he got mad," Bo Diddley

later recalled. "Ed Sullivan said that I was one of the first colored boys to ever double-cross him. Said that I wouldn't last six months". The show

had requested that he sing the Merle Travis-penned Tennessee Ernie Ford hit "Sixteen Tons", but when he appeared on stage, he sang "Bo Diddley"

instead. This substitution resulted in his being banned from further appearances.

The request came about because Sullivan's people heard Diddley casually singing "Sixteen Tons" in the dressing room. Diddley's accounts of the

event were inconsistent.

Chess included Diddley's recording of "Sixteen Tons" on the album Bo Diddley Is a Gunslinger, which was originally released in 1960.

He continued to have hits through the rest of the 1950s and even the 1960s, including "Pretty Thing" (1956), "Say Man" (1959), and "You Can't

Judge a Book by the Cover" (1962). He released a string of albums whose titles, including Bo Diddley Is a Gunslinger and Have Guitar, Will Travel,

were bolstered his self-invented legend. Between 1958 and 1963, Checker Records released 11 full-length albums by Bo Diddley. Although he broke

through as a crossover artist with white audiences (appearing at the Alan Freed concerts, for example), he rarely tailored his compositions to

teenage concerns.

In 1963, he starred in a UK concert tour with the Everly Brothers and Little Richard. The Rolling Stones, still barely known outside London at that

time, appeared as a supporting act on the same bill.

In addition to the many songs recorded by him, in 1956 he co-wrote, with Jody Williams, the pioneering pop song "Love Is Strange", a hit for

Mickey & Sylvia in 1957.

Bo Diddley was one of the first American male musicians to include women in his band, including "The Duchess" Norma-Jean Wofford, Peggy Jones

(aka "Lady Bo"), Cornelia Redmond (aka Cookie), and Debby Hastings, who led his band for the final 25 years of his performing career. He also set

up one of the first home recording studiosOver the decades, Bo Diddley's venues ranged from intimate clubs to stadiums. On March 25, 1972, he

played with The Grateful Dead at the Academy of Music in New York City. The Grateful Dead released part of this concert as Volume 30 of the

band's Dick's Picks concert album series. Also in the early 1970s, the soundtrack for the ground-breaking animated film Fritz The Cat contained his

song "Bo Diddley", in which a crow idly finger-pops along to the track.

Bo Diddley spent many years in New Mexico, living in Los Lunas, New Mexico from 1971 to 1978 while continuing his musical career. He served for

two and a half years as Deputy Sheriff in the Valencia County Citizens' Patrol; during that time he personally purchased and donated three highway

patrol pursuit cars.[18] In the late 1970s, Diddley left Los Lunas and moved to Hawthorne, Florida where he lived on a large estate in a custom

made log-cabin home, which he helped to build. For the remainder of his life he spent time between New Mexico and Florida, living the last 13

years of his life in Archer, Florida, a small farming town near Gainesville.

He appeared as an opening act for The Clash in their 1979 US tour; in Legends of Guitar (filmed live in Spain, 1991) with B.B. King, Les Paul, Albert

Collins, George Benson, among others, and joined The Rolling Stones as a guest on their 1994 concert broadcast of Voodoo Lounge, performing

"Who Do You Love?" with the band. Sheryl Crow and Robert Cray also appeared on the pay-per-view special.His pawnbroker character's offering

Louis Winthorpe III "fifty bucks" created one of more quoted scenes in 1983's Trading Places. In the late 1980s, he teamed with Bo Jackson in Nike's

famous "Bo Knows" commercials, saying his one line: "Bo, you don't know Diddley!"

In 1998, Bo appeared alongside legendary guitarists B.B. King, Eric Clapton, and Jeff "Skunk" Baxter as members of the Louisiana Gator Boys in the

film Blues Brothers 2000.

In 2003, Bo was cast as himself in an episode of According to Jim, titled Bo Diddley.In 1982, Bo was featured in the music video, Bad To The Bone

by George Thorogood and the Destroyers as a pool shark.