George and the Dukes: Majestic Blues ~Interview with George Hadjopoulos~

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Interview with George Hadjopoulos (of George and the Dukes) - Blues



George and the Dukes: Majestic Blues

George and the Dukes is an electric blues band based in Athens, Greece.

Performance is a result of the feeling and power of real blues. Formed in the mid

90’s as an experimental blues quartet, the band was an immediate success since

the personal skills of each musician; the authentic blues sound and the matching

vocals were easily identifiable and felt. Nowadays, this real band delivers authentic

Chicago blues as well as blues rock with jazz-funk elements.


Influencing artists include B.B. King, Albert King, Freddie King, Albert Collins, Otis

Rush, Jimmy Hendrix, Johnny Winter, Stevie Ray Vaughan, George Benson and

Ronnie Earl. During his England years, George Hadjopoulos also got together with

black community musicians and friends, with whom jamming and blues, dub & funk

music sharing was often the natural outcome of a hard day’s work. Performing with

other respected local and international artists / musicians, including considerable

live performances, combined with the vocalist’s bluesy voice, intense and heavy

guitar soloing, dominant low frequencies of the bassist, the drummer’s dexterity

and the band’s commitment to the blues with a feeling concept, the result is

evident. The band’s friends would conclude this description by their usual comment:

“every song sounds like it’s been heard for the first time”.


Interview © by Michael Limnios


What do you learn about yourself from the blues and what does the blues

mean to you?

Blues music has reminded me of a Socrates saying which goes: «ΟΥΚ ΕΝ ΤΩ

ΠΟΛΛΩ ΤΟ ΕΥ» (The best is not among the plenty). In other words,.. keep it

simple. I believe that blues music has always been a way to express feelings.  The

more expressive you are and less influenced by technique and musical rules, the

closer you are to real blues expression. Blues could be seen from more viewing

angles but the pioneers have long now instinctively laid a structure from which it is

very difficult to escape.



Why did you think that the Blues music continues to generate such a devoted following?

Being a result of instinct, it is well received by human nature. It is a simple music speaking to people “with hearts and ears” as Jimmy would put it. I

don’t think that all that many people listen to the blues (this probably being a result of poor promotion) but people who listen to the blues, will never

quit doing so.

How do you describe and what characterize George and the Dukes sound and philosophy?

Our philosophy is to share music with audience. There is an interactive relation between audience and musicians. We just want to be the feeling and

expression of ourselves and the people who are there with us. I would characterize George and the Dukes as a band which has a balanced sound. By

balanced I mean hard and rocking sounds when needed and mellow sounds when the moment calls. We do not believe much in releasing recorded

material in this particular type of music. I personally find no point in using the same musical form & structure, chords etc - so long now established -

only replacing lyrics to state “we released a new blues song”! The blues pioneers have done all the work for us, the call is to try to release the raw

feeling, not re-arrange three basic cords and some riffs with space technology and speed.


Which meetings have been the most important experiences for you? What is the best advice ever given you?

If you mean playing with other musicians, I‘d say the best meetings where with good musicians who mainly saw music as something to be felt and

shared and had an ear for the whole band. As regards advice, I can’t really recall being given any.

Are there any memories from gigs, jams and open acts which you’d like to share with us?

After years of playing the only thing that remains is the music and the feeling of open air, especially when horns were playing ..!

What do you miss most nowadays from the blues of past? What are your hopes and fears for the future of?                       

I miss the honesty and raw simplicity of the blues of past. I miss the feeling, the expressiveness, the low profile and true humbleness of the musicians/

song writers. Blues is a time stamp set by particular living conditions at the time. If you want to stick to the real thing, I believe the more honest thing

to do is enjoy those old recordings.  I don’t think such music can be written again because our living “style” has drastically changed, but I do believe in

preserving as much as possible of the original blues qualities in playing blues standards and also when working on other music genres, which I find

equally interesting.


Make an account of the case of the blues in Greece. Which is the most interesting period in local blues scene?

I think all periods where interesting. Many bands were formed but few have persisted over the years.  Ι am glad I have shared the music with many of

these guys. Good thing is there are a few new musicians lately interested in blues, which should be promising.

How has the local blues circuits changed over the years since you first started in music?

I was never a close member or follower of the local blues circuits, since I never believed in music tags. I played what felt good to me and stuck around

with friends, musicians or not.  It looks however that as time goes by and as regards - so called - blues circuits, people are also influenced by factors

which have little to do with the music, factors related to personal, social and other needs. I am glad to see at the same time that people who love this

music in depth, will be there almost every time!

If you could change one thing in local blues scene and it would become a reality, what would that be?

I would wish for more and genuine promotion and a true team spirit between all!

What has made you laugh lately and what touched (emotionally) you from local music circuits?

Since I was never a part of music circuits I can only refer to gig experience and say that its funny when blues lovers almost never attend gigs and it is

emotionally moving when people with totally opposite musical culture happen to attend a gig and come at the end asking “what is this music called?

Can we listen to more?”

Let’s take a trip with a time machine, so where and why would you really wanna go for a whole day..?

Sounds interesting as a question! But please let me use this last space to thank you for hosting our conversation.  There are good things around us

which should be appreciated. I thank everyone who took the time to read this interview and wish you all, the best.

The Forum post is edited by ΘΕΟΦΙΛΟΣ ΜΠΑΓΙΑΣΤΑΣ Feb 27 '18
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